Vehicle..

i personally dony understand why this movie didnt do good in theaters, i enjoyed the dialogue in this thing..


Ivy Selleck: Mister Ready, this business has been in our family for 40 years, so no sleazy stuff okay?

Don Ready: Don't worry about it darlin' we're not going to break the rules, we're just going to bend them a little bit...
Ivy Selleck: [wiggles around faking enthusiasm] Okay, okay. I just, I know your type. You know it's all the thrill of the hunt, I get it. I mean you crave it, you corner it, but mister Ready let me ask you a question. You know what to do when you catch it?
[awkward silence drops around the dinner table]
Don Ready: Are we talking about pussy?
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Jibby Newsome: [after turning on "Dawson's Creek" in his motel room] James Van Der Beek, my nigga!
--------------------------------------------------------------------------------

Babs Merrick: You're a virgin?
Jibby Newsome: Oh, hell no!
Babs Merrick: Oh.
Jibby Newsome: No, I been with hundreds of women... maybe thousands. I... I just ain't never really ever made love to a woman. You know, I've done 3-ways, 4-ways, menage-a-tois, menage sept, menage seises... I've sixty-nined, eighty-nined... one hundred fourteened. Golden, diamond and platinum showers. I like that. I mean, I ripped shit up. Done all that... but I ain't never ever made love to a woman.

Mp3: Ides of march - Vehicle

Boondock Saints: All Saints Day..

I seriously need to see this when it comes out..first one will still remain a cult classic to me though..

Grace Trailer

The Road Trailer

I suggest you read the book before the movie comes out. If you've seen children of men and doomsday, then you know what the story's all about.

Vicious Traditions..

Addiction is a dangerous thing,It's something you can't really control. That's why people always tend to keep it a secret, because of the effects it has on the people close to you,if you dont get help. especially when it turns out that the the addiction is somewhat hereditary, then it's possible that your kids will end up being like you, and you'll end up being haunted by that fact.
If you see "Mr. Brooks" you'll understand what i'm talking about. In this case the addiction is that he's got a killing addiction, almost the same as DEXTER. A creepy bittersweet ending with that equally creepy song pretty much sums up everything running in brrok's head. He's haunted by the fact that his kid might end up like him..closing the scene with a serenity prayer..watch it now!!


The Veils - Vicious Traditions

Hope..

Hope might be dangerous thing..it will drive you nuts if you don't carry determination and perseverance. Andy Dufresne had to learn the hard way. Of course the movie is filled with all the prison movie cliches, but it doesn't stray away from it's main theme, which is quiet evident throughout the entire film.

I keep looking for this film on DVD but can't seem to quiet get it anywhere just on tv networks from time to time, one of the best film of it's time. I couldn't believe it ws based on one of the stephen King short stories..If you havent seen this yet, then you should make time, you wont be dissapointed i've seen it five times in the fifteen years it came out and im still a satisfied customer..


Jack Johnson - Hope

Land of the lost..

June 5th!!!

Movies..

I totally overlooked this movie..just based on the fact that it's a sequel, i was a bit skeptical..it's like Picasso trying to redo the Da vinchi's monalisa..well you get the picture..
But all in all i enjoyed the dialogue it was just damn funny..when it comes to dialogue it's always either Kevin smith, or Tarantino(my favorite writer/directors) who always find a way to put pop culture into their movies and make it funny and spontaneous at the same time...here are a couple of quotes from the film..

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Elias: [mumbling] "One Ring to rule them all."

Hobbit Lover: "One Ring to find them."

Randal Graves: Oh, Jesus.

Elias: [pulls a Ring necklace out of his shirt] "One Ring to bring them all."

Hobbit Lover: [pulls a Ring out of his pocket, in a dramatic voice] "And in the darkness, bind them!"

Elias: How many times?

Hobbit Lover: Well, um, three for "Fellowship," two for "Towers," four for "Return."

Elias: Five for "Return"!

Hobbit Lover: Dude!

Randal Graves: That look was so gay. I thought Sam was gonna tell the little hobbits to take a walk so he could saunter over to Frodo and suck his fucking cock. Now *that* would have been an Academy Award worthy ending.

Hobbit Lover: Hey faggot, they're not gay! They're hobbits!

Randal Graves: And then, right after the Sam/Frodo suckfest, right before the credits roll, Sam fucking flat out bricks in Frodo's mouth.

Randal Graves: All right, look, there's only one "Return," okay, and it ain't "of the King," it's "of the Jedi."

Hobbit Lover: Oh, Star Wars geek.

Randal Graves: Oh, I'm the geek? Look at you two whipping out your preciouses.

Elias: You'll have to excuse him, he's not "down" with the trilogy.

Randal Graves: Oh, what the fuck happened to this world? There's only one trilogy, you fucking morons.

Hobbit Lover: You know what, maybe we should start calling your friend Padme, because he loves Manakin Skywalker so much, right?
[in robot voice]

Hobbit Lover: Danger danger, my name is Anakin. My shitty acting is ruining saga.
Elias: [chucking] Yea-Yeah, you're crazy, Jar-Jar.

Randal Graves: Oh, I'm crazy? Those fuckin' hobbit movies were boring as hell. All it was, was a bunch of people walking, three movies of people walking to a fucking volcano.


Alien ant farm - Movies

Trailers: Funny People & Inglorious Basterds

a few up coming movies..la8er this year..

15 most disturbing movies..

I haven't seen all these excerpt for "Requiem for a dream" and "Hills have eyes" and i doubt that i want to watch them, after all the gory details in their reviews below , and they appear as they are depicted at the website of the good folks at IGN.com...please feel free to puke on your keyboard as you read through the reviews...


1. The Hills Have Eyes (2006)

Alexandre Aja's remake of the Wes Craven thriller The Hills Have Eyes both maintained and modernized the raw, gritty feel of the original, telling the same story of a family of terrorized travelers with unrelenting intensity and gore. There's certainly no lack of blood and guts to be found early on in the film, though it isn't the movie's gore factor that makes it so effectively disturbing. Rather, the assault on the camper about half-way through the film will undoubtedly test your horror-film resiliency. A gun is held to the head of a newborn while one of the attackers – a mutated redneck hill-dweller – suckles at the mother's breast. Meanwhile, a second attacker rapes the younger sister just inches away from the corpse of the gut-shot grandmother. All of which concludes with the brains of the new mother blown across the walls while the father, tied to a tree outside, screams and cries as flames engulf his body. It's a gut-wrenching, harrowing scene filmed with unflinching honesty, and never sentimentalized by director Aja. In many ways, it pulls fewer punches than Craven's original, which seems almost tame in comparison.


2.The Exorcist


There are definitely images to be found within The Exorcist that will both chill and disturb you, but perhaps nothing about the film is more disturbing than the simple conceit: There are forces of evil beyond our ability to control, beyond the natural world, which can press themselves upon us at any moment, robbing us of our minds and hearts, defeating our gods in favor of our devils. It is to the film's credit that much of the movie is played almost entirely within reality. We are witness to the relationship between a mother and her sick daughter and the soul-searching of a troubled priest. That these characters are treated as humans, allowed to be fully-fleshed and offered the appropriate drama, makes the scares that much more effective. A little girl lurching upward from the bed, molesting herself with a crucifix. Her head spinning around in a terrifying 360-degrees. The spider-walk down the stairs and the deep, throaty voice of the devil speaking through her. Each of these elements chills us to the bone for all the time we've spent in the company of real, legitimate characters, leading lives so very much like our own, suggesting that this could happen, perhaps, to us all…

3.A Clockwork Orange


Kubrick's classic adaptation of Anthony Burgess' 1962 novel A Clockwork Orange offers a more stylized and poetic dissertation on the violent side of human nature. The story of a man named Alex and his "droogs" – his companions in ultra-violence – the film depicts a relentless succession of seemingly unmotivated murders, beatings and rapes. No character emerges from the film unscathed by their own avarice. Most chilling, however, is the often strange juxtaposition between the film's violent imagery and music seldom associated with such brutality, such as when Alex frequently croons "Singing in the Rain" when committing some of his most heinous acts. Malcolm McDowell's cold, icy performance, Kubrick's distant, unsentimental direction and the imagery of the Ludovico treatment make A Clockwork Orange one of the classically disturbing films about the dark depths of the human mind.

4.Audition


Audition is the kind of film made legendary by tales of audience members fainting, vomiting or fleeing the theater in a rage. Japanese director Takashi Miike – known for any number of equally controversial films – has crafted a truly disturbing, though never quite terrifying, film about obsession. When Aoyama falls in love with Asami, he can't know the atrocities she's committed. He can't know about the men she's murdered, and the dismembered, tongueless, footless, fingerless man she keeps in the burlap sack inside her home. The same man who laps up the vomit she hurls into a dog dish every evening. Aoyama can't know what she plans to do to him, paralyzing him, torturing him with needles in his eyes and severing his foot with piano wire. And neither can we. Which makes the film all the more stomach wrenching as we watch these acts unfold on-screen.

5.Salo


Prior to his murder, Italian director Pier Paolo Pasolini crafted a film based upon the Marquis de Sade's classic work, "The 120 Days of Sodom." That film was called Salo. It told the tale of four powerful men – a bishop, a duke, a magistrate and a president – all of whom retreat to a palace in Italy with a number of kidnapped men and women, as well as a handful of prostitutes, and require the participants to debase themselves in the most horrific of ways. Rape and torture abound, as well as the consumption of human excrement. Those who do not participate are murdered.

sorry i couldnt go on...ihave a weak stomach..to see the rest of the list click here..